Speakers

Confirmed speakers are:

• Laura Antonietti: With a first degree in literature (Università degli Studi di Milano), Laura Antonietti got a Master degree in Digital Humanities (Università degli Studi di Siena). Since october 2016, she has been a PhD student in Italian Literature, at the Grenoble-Alpes University and the Università degli Studi di Milano. Her thesis, "Pavese et Vittorini chez Enaudi: une idée de la littérature pour l'après-guerre", aims to study and compare the editorial activity of the two writers Cesare Pavese and Elio Vittorini when they collaborated for Enaudi (1945-1950), through the elaboration of a digital edition of the reading reports that the two authors wrote to defend or refuse the publication of narrative works. Her  researches focus on modern and contemporary Italian literature, history of edition and digital humanities (especially text encoding and digital scholarly edition).

• Bea Caballero : completed her PhD in Latin American Visual Studies from Birkbeck, University of London, where she also gained her MA in Iberian and Latin American Cultural Studies. She also holds a Master in Cultural History from Goldsmiths, University of London. Her research interests focus on material culture, museums and digital heritage. Further research interests include participatory research methodology, particularly PGIS. She has previously worked as Research Developer at the Department of Digital Humanities at King’s College London.
  
  
• Julien Caranton has a PhD in Comtemporary History at the Laboratoire de Recherche Historique en Rhône-Alpes (LARHRA, UMR 5190). His research focusses on the froms of social regulation in the 19th and early 20th century. He is also a trainer for the QGIS software at the l’École doctorale SHPT (ED 454).
  
  
• Anne Garcia-Fernandez is a CNRS research engineer, specialist in Digital Humanities within ELAN (Digital Literatures and Arts Team) at the Litt&Arts Laboratory. After studying linguistics and computer science, she obtained a PhD in Natural Language Processing (NLP) at the University of Orsay. She is involved in many author corpora projects, but also in transversal projects on tools and methods in Digital Humanities. She collaborates with the legal working group of the consortium CAHIER of the TGIR Huma-Num, is a member of the       Project Committee of the digital publishing platform EMAN (ITEM, ENS). She is trainer since 3 years at the CNRS national training initiative "Designing and exploiting digital sources of research in SHS".
  

• Elisabeth Greslou is a research engineer, specialist of multi-media publishing within the ELAN (Digital Literatures and Arts Team) at the Litt&Arts Laboratory. She is involved in many author corpora projects, but also in transversal projects on tools and methods (PHuN, DAHU, Démarre SHS!). She is also coordinator of the legal working group of the CAHIER consortium of TGIR Huma-Num.
  
  
  
• Maud Ingarao : She holds a MA in Computer science and social sciences and an MPhil in political sciences. She is corrently research associate at the ENS of Lyon since 2004. She manages several reserch projects and dgitial editions within the IHRM (UMR 5317). She also participate at the working group "Atelier des Humanités Numériques" of the ENS de Lyon as well as to the Data working group within the CAHIER consortium (Huma Num)

• Elina Leblanc : After studying literature and history (especially medieval and modern) in Poitiers and Tours, she got a master degree in written heritage and digital edition in the Centre d’Études Supérieures de la Renaissance (CESR, Tours). Since October 2015, she has been a PhD student in digital humanities and has worked on the subject “Enriched Digital Libraries: the users and their interfaces. The case of Fonte Gaia Bib”, supervised by Elena Pierazzo (LUHCIE) and Hervé Blanchon (GETALP/LIG).

• Elisa Nury: Elisa Nury is Ressearch associate for the Fonte Gaia project at Grenoble-Alpes University. After studying Latin and Computer Science for the Humanities at the University of Lausanne, she is completing a Ph.D. in Digital Humanities at King's College London, under the supervision of prof. Elena Pierazzo. Her thesis, entitled "Digital Editions and Automated Collation: from Theory to Practice", focuses on the application of automated collation tools to the process of scholarly editing.
  
  
• Tiziana Mancinelli : I am currently in charge technical coordination, programming, server administration, and data curation at the CCeH (Cologne Center of eHumanities) for the Magica Levantina project and developping a digital scholarly edition of Francesco da Barberino's Documenti d'Amore at the University of Venice. I also teach Digital Humanities at University of Verona. I hold a PhD in Italian Literature and Digital Humanities from the University of Reading (UK), where I completed a dissertation on a scholarly digital edition of a prose-poem titled ‘La camera da letto’ by Italian writer Attilio Bertolucci.

• Marta Materni is post doctoral Marie Curie Fellow at the University Grenoble Alpes with a project concerining th eproduction of critical and documentary edition of one branch of the tradition of the Roman de Florimond, a 12th century French text, with an important Italian circulation. After her studies in Medieval History, she obtained her PhD in Philology and Roman Literature at the University of Rome "La Sapienza" with a study on French, Castillan and Italian medieval litterature. Her current interests includes the study of text encoding connected to medieval textes and the development of user interfaces suitable for digital editions and in particular showcasing a critical apparatus.

• Emmanuelle Morlock: Engineer in Digital Humanities at the CNRS since 2008, Emmanuelle Morlock is in charge of the support of critical edition projects of ancient resources, using TEI or EpiDoc and developed at the laboratory "Histoire et Sources des Mondes Antiques" (HiSoMA). Member of the international work group that maintains and enriches the EpiDoc schema, she co-organised the 2015 TEI conference in Lyon. She is also a member of the coordination committee of the French association for the Digital Humanities, Humanistica.

• Andreas Nijenhuis-Bescher: Born in Northen Holland, Andreas Nijenhuis-Bescher studied both in the Netherlands (RuG Groningen, VU Amsterdam), in France (Grenoble II, EHESS), and in Italy (IUE). Defended at the VU Amsterdam, his thesis (Les ‘Voyages de Hollande’ et la perception française des Provinces-Unies dans la première moitié du XVII^e siècle) approaches the themes of conflicts and confessional cohabitations, urban space, trade, and the representation of alterity, through the French perception. His researches focus on several aspects of the history of the United Provinces and their representations in France, and vice-versa (« Andreas Nijenhuis-Bescher, « De terra incognita au centre de l’Europe. L’« invention » du Nord et la découverte des Provinces-Unies au début du XVII^e siècle », in : Deshima, revue d’histoire globale des pays du Nord, Strasbourg, University of Strasbourg, n° 10/2016). He is in charge of the Netherlands’ Studies at the Grenoble-Alps University, and is a member of the Institut de l’Histoire de la Pensée Classique (IHPC - UMR 5037). As a post-doc at the CRULH (EA 3945), he is also in charge of the edition of an historical atlas for the international ANR project LOCOCAT. 

• Elena Pierazzo: Is professor of Italian and Digital Humanities at the Grenoble-Alps University since 2014. She got her PhD at the Scuola Normale Superiore di Pisa, then she worked several years at the King’s College London. Her researches are in Renaissance Italian Literature, digital scholarly edition and genetic editing. Since 2002, she has been engaged in the development of the encoding standard TEI (Text Encoding Initiative), an international consortium that she led from 2011 to 2015. Her latest publication is the monography Digital Scholarly Editing : Theories, Models and Methods (Ashgate, 2015). 

• Peter Stokes: is Directeur d'études (approx. Research Professor) in digital and computational humanities applied to historical writing at the École Pratique des Hautes Études – PSL Research University. With first degrees in medieval studies and computer engineering, his principal research is in medieval palaeography and particularly digital and computational methods in palaeography; he has also published on name-studies, lexicography, Anglo-Saxon charters, image-processing, and digital humanities. He lectures in digital humanities, and has also lectured in palaeography and codicology, digital publishing, medieval history, and medieval Latin at King's College London, the Universities of Cambridge, Leicester and the School of Advanced Studies in the University of London.